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One result of this was a developing appetite amongst the Western middle class for Asian goods and art; for example, Chinese export porcelain. American men who may not have had preconceived notions about Asian women were drafted and sent to fight in Asia where they saw Asian women working in the sex industry. Butterfly, the writer David Henry Hwang, using the term "yellow fever", a pun on the disease of the same name, discusses white men with a "fetish" for (east) Asian women.
Some of this art, such as postcards and fans, featured sexualized depictions of geishas, portrayed as petite, heavily made-up and richly dressed women. The pun refers to the color terminology for race, in which persons of East and Southeast Asian heritage are sometimes described as "Yellow people".
The study took data from "thousands of decisions made by more than 400 daters from Columbia University's various graduate and professional schools".
Asian fetish places a psychological burden on Asian women, who are forced to cope with constant doubt and suspicion that men who find them attractive are preoccupied with their Asian status rather than other traits or characteristics.
Writer Agness Kaku believes the mainstream white culture undermines efforts to combat sexual harassment based on Asian fetish.In interviews done by Bitna Kim, white men explain their fetish for Asian women.The white men interviewed fantasize that an Asian woman possesses both beauty and brains, Sexually, the men in these interviews had a commonality.Lum described the stereotype associated with an Asian fetish as an obsession with seeking "somebody submissive, traditional, docile...the perfect wife who is not going to talk back"., as in they are perceived to be able to properly take care of their children during the day and fulfill their partner's sexual desires at night.