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In art, Cupid often appears in multiples as the Amores, or amorini in the later terminology of art history, the equivalent of the Greek erotes.
Cupids are a frequent motif of both Roman art and later Western art of the classical tradition.
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He was among the primordial gods who came into existence asexually; after his generation, deities were begotten through male-female unions.
In Hesiod's Theogony, only Chaos and Gaia (Earth) are older.
The Romans reinterpreted myths and concepts pertaining to the Greek Eros for Cupid in their own literature and art, and medieval and Renaissance mythographers conflate the two freely.
In the Greek tradition, Eros had a dual, contradictory genealogy.
Trapped by Apollo's unwanted advances, Daphne prays to her father, the river god Peneus, who turns her into a laurel, the tree sacred to Apollo.And therefore is love said to be a child Because in choice he is so oft beguiled.Cupid carries two kinds of arrows, or darts, one with a sharp golden point, and the other with a blunt tip of lead.This last Cupid was the equivalent of Anteros, "Counter-Love," one of the Erotes, the gods who embody aspects of love.The multiple Cupids frolicking in art are the decorative manifestation of these proliferating loves and desires.